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By George J. Adler

This publication is a facsimile reprint and should comprise imperfections reminiscent of marks, notations, marginalia and unsuitable pages.

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Perhaps it’s my mind trying to make some sense of the unknown. So I can’t know for certain where the made-up ones end and the real ones begin. All the earliest childhood memories must be like that for everyone I suppose, but maybe mine are more blurred than most, and maybe that’s because I have no family stories to support them, no hard facts, no real evidence, no certificates, not a single photograph. It’s almost as if I wasn’t born at all, that I just happened. Arthur Hobhouse is a happening.

Most of all I want Allie to know it, and for her children to know it, when they come along, and her children’s children too. I want them all to know who I was, that I was a happening and I was a story too. This way I’ll live on in them. I’ll be part of their story, and I won’t be entirely forgotten when I go. That’s important to me. I think that’s the only kind of immortality we can have, that we stay alive only as long as our story goes on being told. So I’m going to sit here by the window for as long as it takes and tell it all just as I remember it.

Marty stared at Wes for a moment. He just walked right up to him and knocked him flat. One punch. ” They all slunk away, and after that life got a whole lot easier for me down in the cabin. It might have been just as hot and sticky, just as crowded and smelly, but at least they more or less left me alone. All Marty’s doing. It was Marty too who explained it all to me – why we were on the ship, where we were going and why. I don’t know how much, if anything, I had understood before. We were going to Australia, that was all I knew for certain.

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